Quotation Analysis of Key Lines in King Lear

King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves well-nigh the King who foolishly alienates his to that degree truly devoted lady friend and realizes excessively late the consecutive nature of his other 2 daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his associate Edgar and betray his father. With these and other major characters in the play, Shakespeare clearly asserts that charitable nature is either totally good, or entirely evil. roughly characters experience a transformative phase, where by some trial or ordeal their nature is profoundly changed. We shall examine Shakespeares stand on human nature in King Lear by look at specific characters in the play: Cordelia who is entirely good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness.\n\nThe play begins with L ear, an old faggot ready for retirement, preparing to divide the region among his three daughters. Lear has his daughters compete for their inheritance by judging who give the bounce proclaim their love for him in the grandest possible fashion. Cordelia finds that she is unable to put down her love with mere course:\n\nCordelia. [Aside] What shall Cordelia speak? Love, and be silent.\n run I, scene i, lines 63-64.\n\nCordelias nature is such(prenominal) that she is unable to engage in pull down so venial a deception as to satisfy an old kings self-conceit and pride, as we see once more in the by-line credit:\n\nCordelia. [Aside] Then poor cordelia!\n\nAnd non so, since I am authorized my loves\n\nMore ponderous than my tongue. \n practice I, Scene i, lines 78-80.\n\nCordelia clearly loves her father, and yet realizes that her honesty will not please him. Her nature is too good to allow even the slightest deviation from her morals. An impressive tongue similar to her si sters would have prevented more than tragedy, but Shakespeare has crafted Cordelia such that she could never consider such an act. afterwards in the play Cordelia, now banished for her honesty, still loves her father and displays outstanding compassion and grief for him as we see in the following:\n\nCordelia. O my dear father, return hang\n\nThy medicine on my lips, and let this kiss\n\n heal those violent harms that my two sisters\n\n remove in reverence made.\n personation IV, Scene vii,...If you want to buy off a full essay, battle array it on our website:

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